Audiobooks Archives - BOOK RIOT https://bookriot.com/category/genre/audiobooks/ Book Recommendations and Reviews Mon, 26 Dec 2022 20:30:50 +0000 en-US hourly 1 https://wordpress.org/?v=5.9.5 9 Young Adult Fantasy Series With Excellent Audiobooks https://bookriot.com/ya-fantasy-series-audiobooks/ Tue, 27 Dec 2022 11:36:00 +0000 https://bookriot.com/?p=511349

Audiobooks are GREAT. Print and ebooks are also great, but they give a different experience than listening to a great story. Young Adult fantasy in particular lends itself to audiobooks because the storylines are (usually) straightforward, the characters are engaging, and the setting takes us to a world where magic exists in some form or another. Fantasy deals with the same problems as our reality, but through a different lens, which in turn allows us to process life’s challenges from more directions than just head-on. The more perspectives we can incorporate into our overall thought process, the more informed we are, especially as we tackle what it means to be alive in Terran Sun Cycle 2022.

It sounds like an exaggeration, but humans have been imagining fantastical and paranormal creatures for millennia, with no sign of slowing down. It means something deeply important.

A good narrator is key to a successful audio book, and because the market for young adult books is so vast, there are a lot of excellent narrators in the space. Bringing a book and its characters to life is tricky; the narrator has to understand the nuances of the characters without giving anything away — it’s a challenging balance to maintain. Thankfully, these intrepid narrators are up to the task, handling character development, narrative color, and tongue-twisting fantasy words with ease. Take a dive into these skillfully narrated series this holiday season!

Cover for Akata Witch by Nnedi Okorafor

Akata Witch by Nnedi Okorafor, Narrated by Yetide Badaki

Series: The Nsibidi Scripts Series

Sunny doesn’t fit in. She’s Nigerian, but born in America. She’s a great athlete, but because she has albinism, she can’t play sports in the sun. But it turns out she also has latent talents that allow her to reshape the world.

Cover of Children of Blood and Bone by Tomi Adeyemi

Children of Blood and Bone by Tomi Adeyemi, Narrated by Bahni Turpin

Series: The Legacy of Orisha

Adeyemi’s West Africa–based debut novel is an absolute stunner. Magic has disappeared under the rule of the king, when before, the soil hummed with the power of the Orïsha. Zélie has a chance to right that wrong, but it will take everything she has.

Check out more of Bahni Turpin’s amazing audio performances here.

Cover of Legendborn by Tracy Deonn

Legendborn by Tracy Deonn, Narrated by Joneice Abbott-Pratt

Series: The Legendborn Cycle

Bree Matthews has been accepted to a residential high school program at UNC-Chapel Hill, which seems like an excellent escape from the recent death of her mother. But that all changes when Bree witnesses a magical attack on campus. As the cause of Bree’s mother’s death starts to come clear, there are questions inside questions about legacies, family, and the history of Chapel Hill itself.

Cover of Aru Shah and the End of Time by Roshani Chokshi

Aru Shah and the End of Time by Roshani Chokshi, Narrated by Soneela Nankani

Series: The Pandava Series

Aru Shah is a fibber, and three of her classmates have arrived at her house to prove it. Aru decides to light the Lamp of Bharata to prove that she’s telling the truth – which she was not. But lighting the Lamp awakens the Sleeper, and now the four of them must save the world.

If you love her performance of Aru Shah, discover more of Soneela Nankani’s work here.

Cover of Soulless by Gail Carriger

Soulless by Gail Carriger, Narrated by Emily Gray

Series: The Parasol Protectorate Series

Alexia Tarabotti is a spinster with no soul. She’s been attacked by an extremely rude vampire, who she then killed by accident, and now a werewolf has been sent by the Queen to investigate. It’s up to Alexia to figure out what’s going on before she’s blamed for the whole situation.

Cover of Graceling by Kristin Cashore

Graceling by Kristin Cashore, Narrated by Xanthe Elbrick

Series: The Graceling Realm

Gracelings are blessed with a grace. Graces can be anything: creating beautiful clothes, cooking, leadership…or, in Katsa’s case, killing. It makes her a dangerous weapon, especially in the hands of a king whose grace is that people believe anything he says.

Cover of The Stardust Thief by Chelsea Abdullah

The Stardust Thief by Chelsea Abdullah, Narrated by Nikki Massoud

Series: The Sandsea Trilogy

Based firmly in the tales of One Thousand and One Nights, Abdullah weaves together stories of a thief, a prince and a quest to find an ancient lamp that will revive a dying land — at the cost of the lives of all the djinn.

Cover of A Deadly Education by Naomi Novik

A Deadly Education by Naomi Novik, Narrated by Anisha Davia

Series: The Scholomance

The Scholomance is a school where a huge percentage of the students end up dead on a regular basis, so when El Higgins decides that Orion Lake needs to die as well, it shouldn’t cause too much ruckus. Except it’s a decision that will cause ripples far beyond the walls — walls? — of the school.

Cover of This Poison Heart by Kalynn Bayron

This Poison Heart by Kalynn Bashon, Narrated by Jordan Cobb

Series: This Poison Heart

Briseis’s power is to grow plants from seed to maturity with a single touch. She hopes to finally learn to control it at her late aunt’s dilapidated New York estate, willed to Bri’s family. But when she gets there, the mansion is full of unexpected plants, not to mention neighbors and strangers who being showing up for tinctures and elixirs.

With so many different fantasy worlds and stories to choose from, where should one begin? With the story that strikes your fancy the most, of course.

Check out some of Book Riot’s favorite audiobooks of 2022 and 20 of the best audiobooks of all time.

]]>
Lovely Listening: 10 of the Best Audiobooks for Kids https://bookriot.com/great-audiobooks-for-kids/ Fri, 23 Dec 2022 11:34:00 +0000 https://bookriot.com/?p=526567

Whether you’re dealing with reluctant readers, enjoying a book as a family, or just switching up the typical story time, there are tons of excellent reasons to stock up on audiobooks for kids. Reading via audiobook has been a staple in my family for almost a decade now, with books we’ve finished together becoming the lullabies my sons drift to every bedtime. As an elementary librarian, I delight in helping children and their adults understand that “listening to a book” actually is reading, and that their audiobook reading is not only “real,” it’s important. Audiobooks for kids allow them to immerse themselves in the story, racking up cadence, expression, and an impressive vocabulary as they go.

Audiobooks for kids are also great because they often can be enjoyed by the whole family. I particularly delight in listening to mysteries with my sons because we start stringing together clues and guessing at culprits. As they get older and age out of our common interests, we can keep finding audiobooks to read together and keep debating red herrings as we listen to the plot unfold. Some of the books on the list below are the favorites of kids in my life, some I choose because I love the narrator, and some are just plain fun and need to be read more often. There’s something for everyone.

cover of how to train your dragon audiobook

How to Train Your Dragon by Cressida Cowell, Narrated by David Tennant

I’m a huge David Tennant fan, which puts this audiobook right at the top of my list. Finding narrators you know from other parts of life is an audiobook bonus and an additional hook for many kids. This book is very different from the movie adaptation, so even those familiar with the popular film have an entirely new plot to enjoy!

cover of diper overlode diary of a wimpy kid audiobook

Diper Överlöde: Diary of a Wimpy Kid, Book 17 by Jeff Kinney, Narrated by Ramon De Ocampo

Diary of a Wimpy Kid continues to have a hypnotic hold on elementary students everywhere. I’ve included the most recent release, but there are a 17 books and several accompanying novels, all narrated by Ramon De Ocampo. Follow Greg and his friends and family as they navigate middle school and all its ups and downs.

cover of zoey and sassafrass boxed set audiobook

Zoey and Sassafras Boxed Set: Books 1-6 by Asia Citro, Narrated by Janina Edwards

I’ve been a fan of this series since I discovered it a few years ago. An amazing mix of fantasy and science, the Zoey and Sassafras stories include mystical creatures with problems that can only be solved using very real scientific method–based solutions. This is a great entry to audiobooks for beginners — the slim books have short running times without sacrificing any of the interest!

cover of the magicians nephew audiobook

The Magician’s Nephew: The Chronicles of Narnia by C. S. Lewis, Narrated by Kenneth Branagh

Kenneth Branagh reads this so damn well. His voice perfectly brings to life the various characters, and the magic of being there at the beginning of Narnia is undeniable. A great kick start to an exciting series.

cover of the tale of despereaux audiobook

The Tale of Despereaux: Being the Story of a Mouse, a Princess, Some Soup and a Spool of Thread by Kate DiCamillo, Narrated by Graeme Malcolm

This is the first audiobook I ever read with my kids. They were only 2 and 3 when I first started playing the CDs while we drove around town, and I was sure they had no idea what was going on. When my oldest started asking for “the mouse” whenever I buckled him in his carseat, I cried with joy. The book alone is gorgeous; the audiobook, breathtaking.

cover of amari and the night brothers audiobook

Amari and the Night Brothers by B. B. Alston, Narrated by Imani Parks

I actually have not listened to this one yet, but it is getting rave reviews from friends and students in my circle. Amari plunges into a previously unknown world of paranormal magic, frantically pursuing her lost brother.

cover of the vanderbeekers of 141st street audiobook

The Vanderbeekers of 141st Street by Karina Yan Glaser, Narrated by Robin Miles

The Vanderbeekers are the new American sweethearts. This vast and still growing series follows the family as they adventure on their beloved block in New York City. Add in pets, neighbors, and a brownstone that is a character of its own, and you have a charming set up guaranteed to provide hours of pleasant reading.

cover of when you reach me audiobook

When You Reach Me by Rebecca Stead, Narrated by Cynthia Holloway

This is a bonus recommendation in that you should also read the science fiction classic A Wrinkle in Time to truly flesh out the magic of this book. When You Reach Me is about middle school growing pains and family strife, but it’s also a mystery about time travel, complete with ominous letters and dangerous strangers. It’s hard to explain without giving anything away, but it is beautiful.

cover of aru shah and the end of time audiobook

Aru Shah and the End of Time: A Pandava Novel, Book 1 by Roshani Chokshi, Narrated by Soneela Nankani

I’ll be singing the praises of this series until I’m gone. Funny and engaging for people of all ages, with rich character development and equally stunning, layered world building, Aru Shah will make you wonder why you settled for certain middle grade powerhouse surprise-you’re-a-chosen-one series in the past. I love Soneela Nankani’s voice. I love the Pandavas. I love that Roshani Chokshi rejects bland “good and evil” narratives. If you read one audiobook from this list, make it this.

cover of the phantom tollbooth audiobook

The Phantom Tollbooth by Norton Juster, Narrated by Rainn Wilson

This is one of the best audiobooks I’ve ever read. It’s not flashy or highly produced. The story is the same slim classic that has been delighting readers for decades. The cover art remains the same. But something about it is just perfect. Rainn Wilson’s delivery of the absurd pilgrim’s journey that is The Phantom Tollbooth is delightful. I’m so glad my family was introduced to the book in this format — it was a huge hit.


Hopefully you’ve found some audiobooks for kids to pique your interest! Looking for more audiobook content? Check out this list of audiobooks for toddlers. Happy reading!

]]>
20 of the Best Audiobooks of All Time https://bookriot.com/best-audiobooks-of-all-time/ Fri, 09 Dec 2022 11:38:00 +0000 https://bookriot.com/?p=525413

Determining the best audiobooks of all time is a highly subjective process. What makes an audiobook the best? Do they have to have famous narrators or an ensemble cast? Are the most popular audiobooks the best, or do they have to be award-winning to be the best?

Audiobooks have come a long way since their first iteration in 1932. Back then, the American Foundation for the Blind created book recordings on vinyl records, which only held about 15 minutes of speech per side. Over the following decades, cassette tapes and then compact discs became the new media for recorded books.

In recent years, audiobooks have steadily increased in popularity. According to the Audio Publishers Association’s annual sales survey, audiobook sales have increased by double-digit percentages every year for the past decade. Furthermore, the pandemic appears to have increased the use of audiobooks, particularly among children.

Of course, with audiobooks being more popular then ever, their quality and variety are at an all-time high. Be they full cast performances or single narrator romps, a good recorded book can immerse readers in the author’s world in a way that is entirely different from print texts. The best audiobooks bring our favorite characters to life, capturing the voices that heretofore only existed in our minds.

For this list, the best audiobooks of all time will be determined by the very nonscientific process of one book nerd and her Facebook friends. Said book nerd has also scoured the internet, if “scoured” means the half-assed way I used to wash pots when my mother made me do the dishes in middle school. In other words, I think these are all great audiobooks but it’s not a definitive list.

Note that my focus is on the performance of the readers, not the quality or content of the books themselves.

Best Audiobooks of All Time Read by Multiple Narrators

audiobook cover of The Sun is Also a Star

The Sun is Also a Star by Nicola Yoon; Read by Bahni Turpin, Raymond Lee, and Dominic Hoffman

If you haven’t read this book, which has also been adapted into a movie, then listen to it ASAP. It is well cast and the reading is absolutely beautiful. Much of the book takes place in a single, eventful day when Jamaican American Natasha and Korean American Daniel meet and quickly fall in love. Unfortunately, Natasha and her family are scheduled to be deported the following day. You’ll lose yourself in this lush prose and heart-wrenching story.

audiobook cover of american gods

American Gods: The Tenth Anniversary Edition by Neil Gaiman; Read by Ron McLarty, Daniel Oreskes and a Full Cast

This edition of Gaiman’s beloved novel is considered his “director’s cut” because it includes unpublished material from his original manuscript. The leads provide stunning portrayals of the arrogant Mr. Wednesday and relatable protagonist Shadow Moon.

cover of the audiobook Stamped

Stamped: Racism, Antiracism, and You Written and Read by Jason Reynolds and Ibram X. Kendi

Adapted from Kendi’s Stamped From the Beginning, this bestseller approaches complex topics in a kid-friendly way. Jason Reynolds’s performance reminds us why he is so well-loved by kids and teachers alike.

cover of world war z audiobook

World War Z: The Complete Edition: An Oral History of the Zombie War by Max Brooks; Read by Alan Alda, Mark Hamill, Carl & Rob Reiner, and John Turturro

This well-known work was the winner of the Audie for Multi-Voiced Performance in 2014. Combining the original abridged recording and new unabridged recordings, the audiobook boasts the voice talents of celebrities like Mark Hamill.

audiobook cover of the exorcist

The Exorcist by William Peter Blatty; Read by the Author and Eliana Shaskan

I, an uncultured swine, had never seen The Exorcist when I decided to listen to the audiobook. Dear reader, that was a mistake. After listening to this incredible performance of the deeply disturbing source material, the movie adaptation paled in comparison. This is a must-listen for any self-respecting horror fan.

cover of same sun here

Same Sun Here; Written and Read by Silas House and Neela Vaswani

This audiobook was a 2013 Audie Award Nominee for Children’s Titles for Ages 8–12. Of course, a story written in two voices is perfect for multiple narrators. The two readers both give masterful performances that capture the very different voices of the two protagonists.

cover of lincoln in the bardo

Lincoln in the Bardo by George Saunders; Read by Nick Offerman and a Full Cast

The term “a full cast” is an understatement here. This 2018 Audie Award winner for Audiobook of the Year is read by 166 narrators. Among them are celebrities like Julianne Moore, Don Cheadle, Susan Sarandon, Bill Hader, and more.

audiobook cover of clap when you land

Clap When You Land by Elizabeth Acevedo; Read by the Author and Melania-Luisa Marte

Elizabeth Acevedo is easily one of the most vital voices of our time. She lends her voice to this audiobook, bringing her unique insight into the characters to her performance. This beautiful novel-in-verse is perfect for audio, so it’s a true treat for the ears.

Best Audiobooks of All Time Read by a Single Narrator

audiobook cover image of Brown Girl Dreaming by Jacqueline Woodson

Brown Girl Dreaming; Written and Read by Jacqueline Woodson

I know I just said this about Elizabeth Acevedo, but Jacqueline Woodson is unarguably one of the best authors of our time. Brown Girl Dreaming is a the story of Woodson’s childhood, told in beautiful verse. Naturally, there’s no better reader for it than the author herself.

audiobook cover of Game of Thrones

A Game of Thrones by George R.R. Martin; Read by Roy Dotrice

Roy Dotrice is one of the best audiobook narrators of all time. Consequently, he is the perfect voice for such an epic story. He does the sprawling cast of characters justice with his incredibly varied voice work.

Audiobook cover of I Know Why the Caged Bird Sings

I Know Why the Caged Bird Sings Written and Read by Maya Angelou

Mother Maya Angelou needs no introduction. Her words are poetry and she delivers them like no one else could. I Know Why the Caged Bird Sings is an autobiographical tale of pain and resilience that has inspired readers for decades.

audiobook cover of The Stand

The Stand by Stephen King; Read by Grover Gardner

The Stand is an epic story of a civilization-ending illness that maybe hits too close to home in the current era. Still, Grover Gardner’s performance is absolutely spellbinding. Each of the many characters has a unique voice, complete with subtle nuances that reflect a deep understanding of the source material.

audiobook cover of The Night Circus

The Night Circus by Erin Morgenstern; Read by Jim Dale

I hate to mention those magic books I so love (because of their hateful TERF of an author), but the audiobook performance is superb. Jim Dale is incredible and does all the voices in distinct and engaging ways. While The Night Circus doesn’t have as many unique characters as those books, it’s a great book and Dale does a phenomenal job.

audiobook cover of the hate u give

The Hate U Give by Angie Thomas; Read by Bahni Turpin

Bahni Turpin is one of my favorite audiobook narrators (which is why she’s making another appearance on this list). She captures protagonist Starr perfectly in Angie Thomas’s seminal novel, The Hate U Give. While Starr is written as a relatable character you can’t help but root for, Turpin truly brings her to life.

audiobook cover of born a crime

Born a Crime; Written and Read by Trevor Noah

Let me count the ways I love Trevor Noah. Actually, we haven’t got the time or space for that. Instead, I will just say his memoir was made to be listened to. The Xhosa and Zulu language interwoven through the story are so beautiful in his voice. You just can’t get the same experience reading this one on the page.

cover of circe

Circe by Madeline Miller; Read by Perdita Weeks

Perdita Weeks outdoes herself in this audio recording. Circe on audio is an EXPERIENCE. For 12 hours, you will become lost in a world that feels more real than our own, thanks to Weeks’s stellar performance.

audiobook cover of the dutch house

The Dutch House by Anne Patchett; Read by Tom Hanks

Tom. Hanks. Need I say more?

audiobook cover of Beloved

Beloved Written and Read by Toni Morrison

Here we have another absolute icon reading an iconic story in her own voice. The pain on the page becomes that much more heartwrenching in Morrison’s vocal performance. Whether you’ve read this Pulitzer Prize–winner or not, the audiobook is more than worth your time.

audiobook cover image of Nothing To See Here By Kevin Wilson

Nothing to See Here by Kevin Wilson; Read by Marin Ireland

I listened to this book earlier this year and I cannot express how much I recommend you do the same. It’s a touching, outlandish, and hilarious story as written, but Marin Ireland takes it to an entirely new level. Her use of dialect and the raw honesty of her performance is unparalleled. Seriously, listen to it immediately.

audiobook cover of Becoming

Becoming Written and Read by Michelle Obama

Finally, if you didn’t know Michelle Obama’s memoir would be on this list, then you likely are new to the world of audiobooks. This Grammy Award Winner for Best Spoken Word Album 2020 is a refreshingly honest, inspiring look at the life of our former First Lady. Nobody could’ve read it like she did, so we’re all lucky she took the narration reins.


Get these best audiobooks of all time in your ears ASAP! If you’re looking for even more great audiobook recommendations, the lists below can help.

]]>
The Best Audiobook Thrillers to Listen to This Winter https://bookriot.com/best-audiobook-thrillers/ Tue, 06 Dec 2022 11:34:00 +0000 https://bookriot.com/?p=525870

Audiobooks — especially the best audiobook thrillers — are great for the holiday season. There are so many little tasks that come along with whatever it is you celebrate. You have holiday baking, with the hours-long prepping and cooling and decorating, not to mention the mountain of dishes afterwards. I swear, some years my family spends hours at the sink washing yet another set of utensils and bowls from apple pie and the sugar cookies and everything in between.

There’s also gift wrapping, which gets increasingly out of control if you’re like me and tend to realize just how many people you love at the holidays and so must buy each and every one of them something they’ll love. And, honestly, I’m terrible at it. I can’t ever get my corners right, the tape folds in on itself, and tying those fancy ribbons isn’t a skill I possess.

But the pile of things to wrap or dishes to do or the long hours at the stove is so much more manageable when I’ve got something engaging to listen to. Something with twists and turns, something with red herrings to sift through in an attempt to solve what happened before it’s revealed. Here are ten of the best audiobook thrillers to listen to this holiday season!

Audiobook cover of The Silent Patient

The Silent Patient by Alex Michaelides, Narrated by Jack Hawkins and Louise Brealey

Alicia Brenerson was an artist who seemingly killed her husband in cold blood and then stopped speaking entirely. Fascinated with her case, psychotherapist Theo Faber gets a job at the mental health facility where she’s being held to try to get to the bottom of what really happened. That proves hard to do, however, when the only person who was there refuses to speak a word.

Audiobook cover of When No One Is Watching

When No One is Watching by Alyssa Cole, Narrated by Susan Dalian and Jay Aaseng

Sydney, a recently divorced Black woman who moved in with her sick mother to take care of her, is doing everything she can to fight against the gentrification of her new neighborhood. She decides to set up a tour of the neighborhood to showcase its Black history with her friend Theo. But as their neighbors start disappearing one by one, quickly replaced by new white residents, Sydney and Theo just might be in the crosshairs to vanish next.

Audiobook cover of Wrong Place Wrong Time

Wrong Place Wrong Time by Gillian McAllister, Narrated by Lesley Sharp

Jen’s son, Todd, is just like any other teenage boy until she witnesses him kill a stranger on the street. When she wakes up the next day, though, she realizes she’s moving backwards in time. Living through the past gives her the chance to find out what happened to the boy she raised and what brought him to that street corner with the bloody knife. And maybe, she thinks, she can fix things before it’s too late.

Audiobook cover of Local Woman Missing

Local Woman Missing by Mary Kubica, Narrated by Brittany Pressley, Jennifer Jill Araya, Gary Tiedemann, and Jesse Vilinsky

After the disappearance of two women and a 6-year-old girl on the same day, their families are left wondering what happened. When Delilah, the little girl, escapes her captors and returns home 11 years later, her brother is skeptical. She’s different than he remembers, but 11 years is a long time, and going through something like that is sure to change someone, right?

Audiobook cover of The Lost Ones

The Lost Ones by Sheena Kamal, Narrated by Bahni Turpin

When a struggling Nora Watts gets a call from a couple about their missing daughter, she’s not sure she wants to get involved. But seeing a picture of the teenage girl brings her back to her past, when she gave up her daughter for adoption years ago. Despite the fact the couple shouldn’t have had any way to know that information after it was sealed, Nora decides to help, using her lie-detector skills to figure out what happened to the girl after the police refuse to track down the “runaway” teenager.

Audiobook cover of A Spy in the Struggle

A Spy in the Struggle by Aya De Leon, Narrated by the Author

After her law firm is raided by the FBI, Yolanda gives over information and takes a job with the Bureau. They ask her to infiltrate a Black environmental justice organization in California the Bureau has its sights on. But as she gets to know the group and the people in it, she realizes the truth might not be so straightforward after all.

Audiobook cover of The Maid

The Maid by Nita Prose, Narrated by Lauren Ambrose

When Molly, a maid at the Regency Grand with a keen attention to detail and a need for clear social rules, finds the body of a long-time resident Mr. Black, dead in his room, she becomes the police’s prime suspect. Now, with her gran recently dead and her financials in disrepair, Molly’s left struggling to prove her innocence. With her love for puzzles and a few friends she didn’t know she had, though, she’s determined to figure out the secrets lying beneath this tragedy in the hotel she loves so much.

Audiobook cover of The Guest List

The Guest List by Lucy Foley, Narrated by Jot Davies, Chloe Massey, Olivia Dowd, Aoife McMahon, Sarah Ovens, and Rich Keeble

Jules, a magazine publisher, and Will, a TV actor, want privacy for their wedding. So, they bring their wedding party to a tiny Irish island to tie the knot and celebrate their relationship. Quickly, the lack of cell phone service and interpersonal drama have everyone on edge. And then someone ends up dead.

Audiobook cover of Never Saw Me Coming

Never Saw Me Coming by Vera Kurian, Narrated by Brittany Pressley

Chloe is one of seven college students who are offered scholarships to participate in a study. She, along with the others, is a diagnosed Psychopath, and a psychologist at John Adams is running a study on their daily habits. All she has to do is wear a watch and track her moods. Easy enough, right? But when one of the students turns up dead, Chloe and the others have to work together to figure out who the killer is, no matter how hard trust is to come by.

Audiobook cover of The Girl Who Was Taken

The Girl Who Was Taken by Charlie Donlea, Narrated by Nina Alvamar

High school senior Megan and her classmate Nicole went missing from a beach party a year before Megan emerged, alive and telling the story of being trapped in a bunker in the woods. She turns her story into a bestselling book, inspiring the nation with her perseverance. But Nicole’s sister, a forensic pathologist, finds another body that’s seemingly connected to Nicole and Megan’s case, and it doesn’t seem to stop there. Together she and Megan must figure out who’s responsible before another body winds up in the morgue.


Looking for more of the best audiobook thrillers to read? Check out 15 of the best mystery thrillers or the best thrillers to read in 2022!

]]>
Stock up on Audiobooks with Libro.fm’s Shop Small Sale https://bookriot.com/libro-fm-shop-small-sale-2022/ Wed, 23 Nov 2022 20:11:53 +0000 https://bookriot.com/?p=525913

The holiday shopping season is already in full swing and you might be shopping for a book lover. Maybe that book lover is you! No matter who you’re shopping for, if you’re looking for ways to shop small this season, check out Libro.fm’s Shop Small sale. For a limited time, you can purchase credit bundles at a discount, plus there are hundreds of top-rated audiobooks on sale, too.

But wait! There’s more! If you’re a Libro.fm member, you get 30% off all a la carte audiobook purchases – even on sale prices! So that $7.99 audiobook? It’s $5.59 for members with an active subscription. Not a Libro.fm member yet?- Check out our guide to using Libro.fm then start your membership here.

Read on to learn more! And happy gifting.

Credit Bundles

Give the gift of audiobook credits at a discount. From 11/23 – 11/28, credit bundles will be 10% off. You pick the number of credits and your recipient (or again, you) picks the audiobooks. Here are the available bundles:

  • 2-credit bundle: $27 (normally $30)
  • 3-credit bundle: $40 (normally $45)
  • 6-credit bundle: $81 (normally $90)
  • 9-credit bundle: $121 (normally $135)
  • 12-credit bundle: $162 (normally $180)
  • 24-credit bundle: $324 (normally $360)

Audiobooks on Sale

We’ve rounded up 25 of the best audiobook deals from the sale. We hope you find something you like! 

]]>
20 Must-Read Audiobooks with Indigenous Narrators https://bookriot.com/must-read-audiobooks-with-indigenous-narrators/ Wed, 23 Nov 2022 11:34:00 +0000 https://bookriot.com/?p=520828

One of my favorite things about audiobooks is the way they expand my reading experience. With an audiobook, I don’t just have my own interpretation of events and characters, but the narrator’s interpretation as well. The choices each narrator makes — the voices and accents they use, their pacing, their volume — changes how I think and feel about the book. So I’m always on the lookout for great narrators, and I especially appreciate it when a narrator has some connection to the book, or brings perspectives and experiences to their performance that add interesting layers. That’s the case with these 20 books, written by Indigenous authors and read by Indigenous narrators.

I’ve mostly included books read by narrators other than the author, because I wanted to highlight just how many talented Indigenous voice actors there are. But I did slip in a few memoirs read by the author, ones where the audio performance is so good that the authors deserve credit not only for their writing, but for their brilliant narration as well. I also limited myself to one audiobook per narrator, but many of these narrators have extensive catalogues, which I encourage you to explore!

I didn’t add up just how many hours these audiobooks represent, but it’s a lot — hundreds, at least. So get ready with your favorite puzzle, that long list of house chores, or a beautiful walk, because there is so much great listening to do!

Cover of Calling for a Blanket Dance

Calling for a Blanket Dance by Oscar Hokeah, read by Rainy Fields and Oscar Hokeah

Ever is a young Indigenous man with Cherokee, Kiowa, and Mexican heritage. He’s struggling to understand himself, his family, his cultural history, and his place in the world. The story unfolds through the POVs of everyone in his life — parents, lovers, friends, grandparents, neighbors. It’s a moving symphony of voices, and a beautiful story about loss and belonging.

Cover of The Round House

The Round House by Louise Erdrich, read by Gary Farmer

Erdrich’s many books are all fantastic on audio — she reads many of them herself and is a wonderful narrator. But Gary Farmer shines in this one. It’s a moving, coming-of-age tale about an Ojibwe boy living on a reservation in northern Minnesota, struggling to make sense of his life after his family’s world is shattered by a terrible crime.

A graphic of the cover of Probably Ruby by Lisa Bird-Wilson

Probably Ruby by Lisa Bird-Wilson, read by Dakota Ray Hebert

This is another wonderful kaleidoscopic book told from multiple POVs. Ruby is an Indigenous woman adopted by white parents as a baby, cut off from her birth family and culture. As a young woman, she longs to reconnect with them, but her journey back to herself is full of challenges. The story moves around in time, as the people who know Ruby — her birth and adoptive parents, friends, kids, lovers and ex-lovers — share the meaningful moments in their and Ruby’s life.

Cover of Sanaaq

Sanaaq by Mitiarjuk Nappaaluk, translated by Bernard Saladin d’Anglure, read by Tiffany Ayalik

A beautiful, quiet story about the daily lives of an Inuit family in northern Quebec, this book was the first novel to be written in Inuktitut. It mostly follows a woman named Sanaaq through the ups and downs of her days: she goes seal hunting, prepares for winter, argues with her husband, tells stories.

Cover of A Minor Chorus

A Minor Chorus by Billy-Ray Belcourt, read by Jesse Nobess

This genre-defying novel is a brilliant blend of theory, philosophy, oral history, and intimate storytelling. The unnamed narrator is a queer Cree PhD student who, fed up with the unrelenting racism of the academy, abandons his dissertation and returns home to northern Alberta to write a novel. Belcourt’s sentences shine and shimmer and pop like only a poet’s can. It’s a short book that nevertheless delves deeply into questions of lineage, legacy, and the uses of writing itself.

Cover of Bila Yarrudhanggalangdhuray

Bila Yarrudhanggalangdhuray by Anita Heiss, read by Tamala Shelton

You’re going to want to have the tissues ready while listening to this one. It’s a gorgeous story, full of moments of hope and connection and community, but it’s also heartbreaking. Set in Gundagai, Australia, in 1852, it’s about a young Aboriginal woman who’s forced to move away from her family after a flood destroys the home of the white family she’s working for. It’s a deeply painful story about the colonization of Australia, featuring one of the most specific, determined, and creative protagonists I’ve had the pleasure to meet in a long time.

Cover of Scratching River

Scratching River by Michelle Porter, read by the author

This unique nonfiction book is a blend of memoir, Métis history, and journalism. The book centers on Porter’s search for a place for her brother to call home, and her investigation of the abuse he suffered while living in an Alberta group home. Interspersed with these intimate family stories, Porter shares pieces of Métis history, eventually telling a story that, like a river, grows stronger as it flows.

Cover of The Break

The Break by Katherena Vermette, read by Michaela Washburn

This intergenerational family saga begins with a Métis mother named Stella, who looks out her window one day and sees a possible crime taking place. From there, the narrative moves through a chorus of POVs, with everyone connected to the victim sharing their stories of what happened on and before that moment. It’s a powerful novel that illuminates the complex, interconnected lives of a group of diverse characters living in Winnipeg’s North End.

Cover of Night of the Living Rez

Night of the Living Rez by Morgan Talty, read by Darrell Dennis

This linked story collection reads more like a novel — it has that sense of relentless momentum that propels novels forward. It’s a series of stories set on a Penobscot reservation in Maine, centering on one family and their struggles, messes, joys, heartbreaks, and triumphs. Talty is incredibly good at capturing the emotion underlying seemingly ordinary moments. His writing is vivid and sharp.

Cover of An Afro-Indigenous History of the United States

An Afro-Indigenous History of the United States by Kyle T. Mays, read by Shaun Taylor-Corbett

In this essential text about America’s past and present, Afro-Indigenous historian Kyle T. Mays explores the deeply intertwined histories of Black and Indigenous activism and resistance throughout American history. It’s a powerful account that invites listeners to imagine the possibilities inherent in Afro-Indigenous solidarity.

Cover of Race to the Sun

Race to the Sun by Rebecca Roanhorse, read by Kinsale Hueston

This middle grade fantasy follows the adventures of Nizhoni and her brother Mac. Nizhoni is sure her dad’s new boss is actually some kind of monster — he’s way too interested in their family’s Navajo heritage and stories — but it’s only after her dad disappears that Nizhoni and her brother realize just how much trouble they’re in.

Cover of Tell Me Why

Tell Me Why by Archie Roach, read by the author

Archie Roach was one of Australia’s most beloved singer-songwriters. In this memoir, he shares the story of his life: his forced removal from his home at the age of two, the foster families he grew up with, his search to find his people and reconnect with the world that had been stolen from him, and his extraordinary musical career.

Cover of The Heartbeat of Wounded Knee

The Heartbeat of Wounded Knee by David Treuer, read by Tanis Parenteau

Every so often I encounter a nonfiction book I want to thrust into the hands (or ears) of everyone I know, and this is one. Examining Indigenous history from 1890 to the present, Treuer deftly shatters the harmful myth that Native history “ended” with the Wounded Knee massacre. He delves into the many ways that Native people have been shaping America from the beginning. He doesn’t shy away from the many atrocities the U.S. government has committed against Indigenous people, but he goes into just as much detail about thriving Indigenous art, activism, politics, and culture.

Cover of Firekeeper's Daughter

Firekeeper’s Daughter by Angeline Boulley, read by Isabella Star LaBlanc

This YA novel is so many things: a coming-of-age story, a family saga, an exploration of Ojibwe culture, and a murder mystery. Daunis is a biracial teenager who’s never felt at home anywhere, not in her small hometown or the neighboring Ojibwe reservation. She’s just trying to keep her head above water when she witnesses a murder — and she’s suddenly in the midst of a criminal investigation that will change her life, and her understanding of the world, forever.

Cover of Moon of the Crusted Snow

Moon of the Crusted Snow by Waubgeshig Rice, read by Billy Merasty

This quiet yet chilling post-apocalyptic novel is even more haunting when read aloud. It’s set in a small Anishinaabe community in northern Canada. Suddenly, on the edge of winter, they lose all contact with the outside world — phone, internet, power. With no way to know what’s happening, they attempt to take care of themselves as best they can, facing threats from both within and without. It’s a post-apocalyptic novel with the slowest burn you’ll ever read.

Cover of Shutter

Shutter by Ramona Emerson, read by Charley Flyte

This chilling supernatural crime novel, set in New Mexico, is equal parts thriller and moving character study. Rita Todacheene is a forensic photographer who sometimes sees the ghosts of victims. She uses what they tell her to help solve crimes, often noticing small details that investigators overlook. It’s not long before her abilities get Rita in trouble, and force her to confront the ghosts of her own past.

A graphic of the cover of Bad Indians: A Tribal Memoir by Deborah A. Miranda

Bad Indians by Deborah A. Miranda, read by the author

In a work of nonfiction that’s equal parts history and memoir, Deborah A. Miranda explores the Mission Period in California, retelling old stories about the state’s history, centering Indigenous peoples instead of colonizers. It’s a collection of memories, fragments, stories, poems, and essays — powerful writing that uses the past to illuminate the present.

Cover of The Only Good Indians

The Only Good Indians by Stephen Graham Jones, read by Cara Gee

Master of horror Stephen Graham Jones has written so many books that it’s always hard to pick just one for a list! This extremely creepy novel is about four Blackfeet men, all of whom are haunted because of a terrible event in their past. Like so much of Jones’s work, this novel is a seamless blend of chilling suspense, rich character development, and social commentary.

Cover of Islands of Decolonial Love

Islands of Decolonial Love by Leanne Betasamosake Simpson, read by Tantoo Cardinal

These beautiful stories, songs, and poems about contemporary Indigenous life are funny and heartbreaking. In story after story, Simpson captures moments of intimacy, struggle, love, and despair. Her inventive storytelling makes this collection come alive, and it’s especially poignant on audio, as so many of the pieces feel like they’re meant to be experienced out loud.

Cover of Split Tooth

Split Tooth by Tanya Tagaq, read by the author

Set in Nunavut in the 1970s, this haunting, dazzling novel is about an Inuk woman coming into herself amidst change and turmoil. The narrative does not unfold neatly or linearly. It’s a wonderfully propulsive surprise, a story grounded in landscape and family that also explores the emotional truths found in dreams and memories. Tagaq, who is a renowned throat singer, intersperses her throat singing with the narrative; it feels like a wordless, but essential, part of the story.


Looking for more fantastic audiobooks with Indigenous narrators? Here are six to get you started, and here are six more! And when you’re done with those, you can press play on these Native memoirs on audio.

]]>
The Books I’ve Reread on Audio (And Why You Should Reread Them, Too) https://bookriot.com/books-ive-reread-on-audio/ Fri, 28 Oct 2022 10:33:00 +0000 https://bookriot.com/?p=517915

One of the best things that’s happened to me since I started listening to audiobooks is the audio reread. There is something particularly delicious about rereading a book in a different format from how you first experienced it. It feels both new and familiar at the same time. You get the pleasure of falling back into a beloved or interesting world and you get the pleasure of discovering how the book changes and comes alive when it’s read aloud.

In the last five years, I’ve reread about 40 books on audio. Sometimes I listen to all the books in a series in preparation for a new installment coming out. Sometimes I reread a book for the comfort of it — recently I’ve taken to listening to beloved romance novels as part of my bedtime reading routine, and yes, it helps me sleep. I also like to reread books that are complicated, difficult, and challenging — sometimes listening to a book shakes up my brain in just the right way and helps me get more out of it.

There are dozens and dozens of reasons to reread books on audio, but when I look back over all the titles I’ve listened to, a few patterns emerge. There are some books that seem to be made for it. So let’s meander through the books I’ve loved the most on the audio reread. If you’ve read any of these, you might be surprised at just how much you’ll get out of listening to them again.

Obviously I think all of these books make for great rereads, but if none of them are your cup of tea, that doesn’t mean audio rereading isn’t for you! Take these principles and apply them to your own reading life. Once you discover the joy of the audio reread, you’ll never go back.

Listen To a Book You Read at the Wrong Time Or in the Wrong Context

Audiobook of Their Eyes Were Watching God by Zora Neale Hurston

Their Eyes Were Watching God by Zora Neale Hurston, read by Ruby Dee

I first read Their Eyes Were Watching God in high school. Maybe it was the class, maybe it was my age, maybe I was just impatient and only wanted to read fantasy (fair). Whatever the reason, I didn’t like it, which it pains me to admit now. I can’t remember why I decided to give the audio a try, but I did, and I was promptly swept off my feet by the earth-shattering force of Ruby Dee’s narration. Look, I know this is a good book in any form. But when Ruby Dee reads it aloud, it turns into a poem, a song of rage and joy, a musical masterpiece whose rhythms I can still hear echoing years later. I got shivers. I did a lot of crying. I was completely dazzled.

So many books come into our lives at the wrong time, at moments when we’re not prepared for them. And that can make it hard to want to revisit them. I wasn’t especially eager to pick up my old paperback of Their Eyes Were Watching God, because it brought up memories in sitting in English class, feeling bored and trapped. The audiobook held no associations. It was a fresh start, a new way in. Are there books you have an inkling your younger self was wrong about? Give them a listen, see what happens.

Use Audiobooks to Expand Your Ideas About What’s Possible

A graphic of the cover of Good Talk: A Memoir in Conversations by Mira Jacob

Good Talk by Mira Jacob, read by a Mira Jacob and a full cast

If you’re not listening to graphic novels and memoirs on audio, you’re missing out. When I decided to reread Good Talk on audio, it was partly because I just wanted to experience the book again. It’s brilliant. But I was also curious about what it would feel like to listen to a book with such an important visual component. Well, it felt incredible! Jacob’s memoir is about conversations she has with her son, her parents, her husband, her friends. It’s right there in the subtitle: a memoir in conversations. Hearing those conversations aloud is powerful and intimate. There were moments it was even too much, and I had to pause the book and take a breath. Rereading this beloved graphic novel taught me new things about the book itself, and also about reading. Stories are translatable across many forms, and that’s remarkable.

If you love comics and graphic novels, you’re in luck, because lots of them have fantastic audio versions! But listening to comics isn’t the only way to expand your ideas about what’s possible. Try listening to Paige Lewis read her gorgeous poetry collection Space Struck, which incorporates piano music. I read and loved a lot of plays when I was younger, and I’m excited to revisit them on audio. Angels in America is at the top of my list.

Give Yourself A Gift

Audiobook cover of Charlotte's Web

Charlotte’s Web by E.B. White, read by a full cast

There is absolutely no reason why adults shouldn’t read picture books and kidlit, but sometimes that’s hard to remember. I mean, there are so many amazing adult books out there I couldn’t read as a kid! Yes, I loved Charlotte’s Web when I was little, and yes, I have a battered old paperback on my shelf, but it doesn’t exactly tempt me to pick it up every time I walk by it. But when a new full cast audio version came out in 2019, it did tempt me, and friends, let me tell you: the four hours I spent listening to this magical audiobook are still some of the best of my audiobook-listening career.

Rereading can be as simple as the act of giving yourself a gift.

Revisit a Beloved Book to See How it Holds Up

Audiobook cover of A Home at the End of the World

A Home at the End of the World by Michael Cunningham, read by Colin Farrell, Dallas Roberts, Blair Brown, and Jennifer Van Dyck

I know I’m not the only reader to be haunted by the question: “Will I still love this book that was so important to me once upon a time?” I was 20 when I first read A Home at the End of the World. It is the first book I can consciously remember reading about queer family — not coded queer family (like so many sci-fi and fantasy series I loved) but textual queer family. At the time, it felt revelatory. I couldn’t believe it was real. Happily, in the almost two decades since then, I’ve read dozens of books about queer family, many of which I love more than I love this one. But you never forget your first, right? So I decided to reread it.

For some reason, rereading it on audio seemed less scary than reading it again the way I’d first experienced it. It gave me some distance. I didn’t have the same muscle memory of turning pages and crying into them. So I was pleasantly surprised to discover I loved it even more the second time around. I appreciated it in a different way. I’ve grown and changed, and though the book has stayed the same, my understanding of it has grown and changed, too. Listening to it highlighted just how much. I know I won’t have this experience every time I decide to listen to book that was so formative, but doing it once has made it easier to imagine taking the plunge again.

There are so many other great reasons to reread books on audio. I listened to both Between the World and Me and The Fire Next Time soon after reading them for the first time. I love nonfiction, but I sometimes have trouble absorbing it. Reading books in multiple formats helps. Certain ideas strike me differently when I hear them out loud. I often relate to the material more viscerally when I’m listening to it. For books like these, audio rereads become a kind of extended study.

I’ve also started using the audio reread as a way to experience new translations. I read Seamus Heaney’s translation of Beowulf in high school and I’ve always loved it. Last year, on a whim, I listened to Maria Dahvana Headley’s new translation and “loved it” doesn’t begin to cover it. It’s a triumph. (As is JD Jackson’s narration.) I can’t imagine anything will ever top it, but people are going to go on translating Beowulf forever, and, honestly, I can’t wait to listen.

]]>
10 Audiobooks Perfect for Spooky Season https://bookriot.com/audiobooks-for-spooky-season/ Thu, 13 Oct 2022 10:38:00 +0000 https://bookriot.com/?p=519121 Ghost Squad by Claribel A. Ortega to the absolutely terrifying like The Good House by Tananarive Due, there's something for everyone in these spooky audiobooks.]]>

Spooky season is upon us! There are few times of year that I love more than when the days turn cooler and the leaves begin to fall. My days are filled with stories of witches and ghosts, both the delightfully creepy and the absolutely terrifying kind. Since I was a kid, I’ve always adored ghost stories, tales of the afterlife, and novels featuring the creepy entities that walk in dark forests. 

When I was younger, I loved horror movies and TV shows like Are You Afraid of the Dark? But now as an adult, I’m incredibly aware that I’m a complete wimp when it comes to reading scary stories. I tend to prefer my stories seasoned with ghouls and spiders rather than made up of everything horror-related.

But, thankfully, there are spooky stories for every kind of reader, including kids! So if you’re like me and want to dip into scary stories, but don’t want to get stuck in something truly terrifying, I’ve included some picks for you. There are also some intensely creepy tales that I can’t in good conscience recommend reading alone at night with nothing but a flashlight to read by, but don’t let me stop you. Read at your own risk!

A graphic of the cover of Lakewood by Megan Giddings

Lakewood by Megan Giddings, narrated by Adenrele Ojo

Adenrele Ojo captures the sinister and creepy vibes of Megan Giddings’ debut novel. To pay off her family’s colossal debt, Lena drops out of college and takes a job in Lakewood, Michigan, at a facility conducting mysterious research. What initially starts out to be an incredible deal for Lena to make great pay with incredible benefits turns into a terrifying experience as Lena begins to fully understand the devastating bargain she has made.

A graphic of the cover of The Good House by Tananarive Due

The Good House by Tananarive Due, narrated by Robin Miles

All-star narrator Robin Miles performs this perfect haunted house story. When Angela Toussaint’s son dies by suicide, she returns to the family home where her son died. As she searches for answers, she discovers new secrets about her family’s past that have her questioning everything she thought she knew about her family’s history. This is an incredibly spooky haunted house story that will have you sitting on the edge of your seat, just waiting to find out what happens next.

A graphic of the cover of Mapping the Interior by Stephen Graham Jones

Mapping the Interior by Stephen Graham Jones, narrated by Eric G Dove

A 12-year-old boy sees what he believes to be his dead father walking down the hall of his house. This moment starts a series of harrowing events that mean that the boy must try to find the origins of the figure he saw and keep mysterious forces from ending his or his family’s lives. This spooky house story is contained in a short novella that will have you turning on all the lights in your house — too many things crawl about in the dark. Eric G Dove captures the unsettling vibes of the book to great effect.

A graphic of the cover of Revelator by Daryl Gregory

Revelator by Daryl Gregory, narrated by Reagan Boggs

In one of the creepiest stories set in Appalachia that I have read in a long time, Revelator weaves the story of a secret cult deep in the Tennessee Mountains. In 1933, Stella is left to be raised by her grandma. There she’s introduced to the god in the mountains that her family serves. She soon learns that she is to be the next Revelator, a title given to the women in her family who carry out the important job of communing with their god and sharing his revelations. Reagan Boggs narrates this dark American fairytale.

A graphic of the cover of Ghost Squad by Claribel A. Ortega

Ghost Squad by Claribel A. Ortega, narrated by Almarie Guerra

Perfect for you and the kids in your life, Ghost Squad follows Lucely Luna, a girl who can see the ghosts of her ancestors living with her in her house. But when a mysterious evil begins to make the spirit of her ghost family disappear, Lucely and her best friend, Syd, must team up to try to stop these sinister forces at work. I loved this performance by Almarie Guerra, which captures the joyous middle grade spirit of the story.

A graphic of the cover of Sabriel by Garth Nix

Sabriel by Garth Nix, narrated by Tim Curry

Is there anything more perfect than Tim Curry’s narration? For me, Sabriel is one of the first spooky books that I read and absolutely adored. Sabriel is just finishing up her studies at boarding school when she receives a message that her father, the Abhorsen in the Old Kingdom to the north, is in serious trouble. Sabriel’s family has long fought the necromancers who raise the dead and wreak havoc upon the citizens of the Old Kingdom. Now Sabriel must step up as the Abhorsen-in-waiting and find her father before it’s too late.

A graphic of the cover of The Graveyard Book by Neil Gaiman

The Graveyard Book by Neil Gaiman, narrated by the author

Neil Gaiman is just as good at performing his stories as he is writing them. In this middle grade novel, Nobody “Bod” Owens has lived his entire life in a graveyard raised by ghosts. They’ve educated him and cared for him, but Bod has always wondered about the world of the living. However, a mysterious figure lurks outside the graveyard, waiting for Bod to leave the protection of his childhood world so he can kill Bod, just like he murdered the rest of Bod’s family all those years ago.

A graphic of the cover of Mexican Gothic by Silvia Moreno-Garcia

Mexican Gothic by Silvia Moreno-Garcia, narrated by Frankie Corzo

Noemí receives a frantic letter from her cousin, who says she’s trapped by her new in-laws. So Noemí travels to High House, an estate owned by a white British family in the Mexican countryside. There she begins to suspect that something more is going on with her cousin’s new family. This book brings all of the 19th century gothic vibes to a new landscape equally full of looming, dangerous characters. Frankie Corzo does a fantastic job of evoking the deeply unsettling feel of this story.

A graphic of the cover of Gideon the Ninth by Tamsyn Muir

Gideon the Ninth by Tamsyn Muir, narrated by Moira Quirk

Gideon the Ninth is a lesbian swordswoman living on a far-off planet in the depths of space. She belongs to the Ninth House, a group of necromancers who paint their faces as white skulls and who are house tasked with guarding the locked tomb. To escape the world of the locked tomb, Gideon makes a deal with her nemesis, Harrow, the lady of the Ninth House, to travel to a great meeting of all of the great houses being held on a different planet. This dark story turns into a locked room (locked tomb?) mystery as someone appears to be killing off all of the dignitaries. Moira Quirk performs this book so incredibly well, even capturing some of the plot twists in the voices of the characters before we even realize.

A graphic of the cover of Gallant by V.E. Schwab

Gallant by V.E. Schwab, narrated by Julian Rhind-Tutt

Julian Rhind-Tutt performs this ghost story, creating a lovely fairy tale-like feel. Olivia Prior has lived in an orphanage her entire life, wondering where her family is and if they would ever show up to take her out of such a horrible place. Then, what she always dreamed of comes true when a letter arrives from her uncle, asking for her to join him at the family estate, Gallant. There, Olivia discovers that her uncle is long dead, and her cousin is less than happy that she’s arrived. Now she must discover the secrets of her family’s past if she is to save any possibility of a future that they might have.


Embrace your spooky-loving listening tastes with any of these titles, and you’re sure to have a good time. For even more audiobooks, check out 8 Audiobooks for Agatha Christie Lovers and 8 of Libro.fm’s Most Wished for Audiobooks.

]]>
20 Must-Listen Audio Mysteries https://bookriot.com/audio-mysteries/ Mon, 03 Oct 2022 10:32:00 +0000 https://bookriot.com/?p=520006

#1 New York Times bestselling author C. J. Box's Treasure State finds Cassie Dewell in Montana on the trail of a con man. This audiobook is read by Christina Delaine.

Settle in, mystery mavens and amateur sleuths! If you love mysteries and you love fun audiobooks, then here are 20 audio mysteries for you that you just have to give a listen to.

I love listening to audiobooks across many genres, but one of my favorite types of genres to listen to? Mysteries, obviously. Mysteries just lend themselves so well to the audiobook form. The right narration ups the sense of suspense in the story and creates the perfect atmosphere for surprising twists and turns. Sometimes mystery audiobooks pull out a full cast of narrators to really bring the characters to life. Sometimes one dynamic narrator is all you need to create a story that will have you glued to your earbuds.

Quite a few of these books are newer titles, and some are older mysteries than are just impossible to get out of your head. Some of these stories are dark and creepy. Some are super cozy. Although each of the books on this list is different, the twenty audio mysteries on this list are all here for similar reasons: propulsive storylines, surprising twists and turns, unforgettable characters, and compelling narrators. If all of that sounds appealing to you, then check out these twenty must-listen audio mysteries.

cover of The Dying Day by Vaseem Khan

The Dying Day by Vaseem Khan

Set in Bombay in 1950, this novel follows Persis Wadia, the first female police detective in India, as she investigates the disappearance of the Bombay Royal Asiatic Society’s head curator and a priceless manuscript of Dante’s Divine Comedy. Persis’ investigation sends her down a path of unsolved murders, coded clues, and conspiracy.

the infirmary book cover

The Infirmary by LJ Ross

In the summer of 2014, a killer has been stalking the streets of Newcastle, and the whole city is panicked, especially after the officer in charge of the case turns up dead. Now it’s up to Detective Chief Inspector Ryan to take on the case and uncover the murderer. While the police in Northumbria CID still see him as an outsider, he’s going to need all the help he can get to solve this case.

The Family Upstairs by Lisa Jewell book cover

The Family Upstairs by Lisa Jewell

After her 25th birthday, Libby Jones returns home to find the letter she’s been waiting for her whole life: the true identity of her birth parents. But opening up that letter, Libby discovers way more than she could have anticipated. She now knows who her parents are, but she’s also inherited their abandoned mansion on Cheyne Walk on the banks of the Thames in London. But something strange happened in that mansion 25 years ago. Police arrived to find three dead bodies, one baby happily cooing in her bed, and the rest of the children missing.

cover of The Cutting Season by Attica Locke

The Cutting Season by Attica Locke

Attica Locke’s The Cutting Season is a historical novel that includes not one but two mysteries to unravel. One involves a murder in Belle Vie, a historic plantation house in the heart of Louisiana’s Sugar Cane county. And the other involves a mystery from a hundred years earlier, when an enslaved person went missing from Belle Vie.

Hollywood Homicide book cover

Hollywood Homicide by Kellye Garrett

Dayna Anderson is just an actress looking to help her parents keep their house. She isn’t at all expecting to solve a murder. But after she witnesses a deadly hit-and-run and sees there’s a 15-grand reward for providing information, she jumps at the opportunity. And before she knows it, she gets wrapped up in the story of the victim’s life. Now it’s about more than money. She wants to solve the murder and avenge this poor woman’s death.

A Good Girl's Guide to Murder book cover

A Good Girl’s Guide to Murder by Holly Jackson

Everyone knows Sal Singh killed schoolgirl Andie Bell. The case was closed five years ago. But Pippa Fitz-Amobi isn’t so sure. So for her final year high school project, Pippa decides to get to the bottom of what really happy to Andie. She’s certain that Sal is innocent and the real killer is still out there. But the more she digs into the crime, the more she uncovers secrets that people in her town would rather keep hidden.

cover of The Conductors ; illustration of a young Black woman in old-fashioned dress holding a lantern

The Conductors by Nicole Glover

This mystery story is filled with magic and history. Set in the aftermath of the Civil War, this book follows Hetty Rhodes and her husband, Benjy, who were Conductors on the Underground Railroad. With the war now over, now the couple are channeling their skills into a new mission: investigating the crimes and murders that authorities would rather ignore. The sequel The Undertakers is also out now!

cover of The Secret Place by Tana French

The Secret Place by Tana French

Detective Stephen Moran has been waiting for his chance to join the Dublin Murder Squad. And that chance comes into his office when sixteen-year-old Holly Mackey shows up with a photo of a murdered boy with the caption “I KNOW WHO KILLED HIM.” One year ago, the boy was found dead at a girl’s boarding school, but the case was never solved. Now Stephen is reopening the case, investigating Holly’s group of friends and their connection to the murdered boy. The book alternates between the present investigation and the events that happened a year ago leading up to the murder.

all good people here book cover

All Good People Here by Ashley Flowers

Everyone in Wakarusa, Indiana remembers what happened 20 years ago, when the body of six-year-old January Jacobs was discovered in a ditch. Now Margot Davies, who was January’s neighbor and the same age as her, has moved away to become a journalist in the big city. But what happened to January remains in the back of her mind, especially because she feels like that could have been her and because the killer has never been brought to justice. So when she hears that five-year-old Natalie Clark from the next town over has gone missing, Margot feels like she has to find Natalie and solve January’s murder.

all that's left unsaid book cover

All That’s Left Unsaid by Tracey Lien

Ky Tran will never forgive herself for convincing her parents to let her brother Denny go out to celebrate his high school graduation with friends. That’s because that night Denny was brutally murdered in the Lucky 8 restaurant in the Sydney suburb of Cabramatta. Police are stumped by the murder. A dozen people were in the restaurant at the time, but everyone claims to have seen nothing. Desperate to find out what happened to her brother, Ky decides to track down the witnesses herself.

the lost kings book cover

The Lost Kings by Tyrell Johnson

Jeanie is living in England, drinking too much, sleeping with a married man, and trying her best to keep the past out of her mind. But it just won’t let her go. Twenty years ago, her father came home covered in blood, and the next day, he and Jeanie’s twin brother Jamie were gone. Now someone from her past has returned, claiming to have tracked down her father. Should Jeanie keep running from her past, or is it time for her to finally confront her father and find out what happened to her brother all those years ago?

wrong place wrong time book cover

Wrong Place Wrong Time by Gillian McAllister

This mystery novel is about a parent who finds herself in a terrible situation. One night, Jen Brotherhood witnesses her son Todd murder a man in the street. Soon, her teenage son is taken into custody. But then Jen wakes up the next morning, and it’s a day earlier, and the murder hasn’t happened yet. Now, Jen finds herself in a time loop, waking up a day earlier, a day before a murder. Now she’ll have to find out if there’s any way to prevent a murder before it happens.

marion lane and the midnight murder book cover

Marion Lane and the Midnight Murder by T.A. Willberg

In the secret tunnels beneath the heart of London, there is a mysterious group of detectives recruited for Miss Brickett’s Investigations & Inquiries. Marion Lane is a first-year Inquirer-in-training who finds herself drawn into a strange case. Late one night, a filing assistant for Miss Brickett’s received a letter warning her that something terrible was about to happen. But when she goes to investigate at the stroke of midnight, she is murdered by a killer she can’t see.

When No One is Watching by Alyssa Cole book cover

When No One is Watching by Alyssa Cole

Sydney Green was born and raised in Brooklyn, but she’s unsettled by the recent changes she’s seeing in her neighborhood. People she’s known all her life are disappearing, and all of these richer white people are moving in. Is Sydney Green being paranoid? Or maybe there really is a conspiracy to push people out of the neighborhood.

Book cover for A Deadly Inside Scoop

A Deadly Inside Scoop by Abby Collette

Bronwyn Crewse is a recent MBA graduate who has now taken over her family’s ice cream shop in Chagrin Falls, Ohio. Unfortunately, renovating the shop takes longer than expected, and Win ends up opening her shop just as the first snow is falling in the village. Needless to say, she doesn’t get many customers that first day. To make matters worse, later that day Win discovers the dead body of a man who had an old feud with the Crewse family. It doesn’t take long for the family to be implicated in the murder.

My Sweet Girl by Amanda Jayatissa book cover

My Sweet Girl by Amanda Jayatissa

Paloma was adopted from a Sri Lankan orphanage, and ever since then she has had the best that money could offer. But now that she’s thirty and newly cut off from her parent’s funds, she decides to sublet her San Francisco apartment to Arun, who has recently moved to the States from India. But when Arun discovers Paloma’s secret, something that might destroy everything she has built for herself in this country, she knows she has to get rid of him. Too bad she doesn’t get the chance. Before she gets the chance to talk to him, she finds Arun dead in a pool of blood. She flees the apartment, but the police find no body and no evidence that Arun ever existed.

cover image for The Bullet That Missed

The Bullet That Missed by Richard Osman

The Thursday Murder Club is made up of a group of unlikely friends who solve cold cases together. There most recent mystery is a decade-old cold case that becomes red hot when a new foe pays one of them a visit. Suddenly no one in the club feels safe. Will the gang be able to solve the case before the killer strikes again? This is the third in a series; to start at the beginning, pick up The Thursday Murder Club.

The Anatomy of Desire by L.R. Dorn

If you enjoy audiobooks that sound a little more like true crime podcasts (like Sadie by Courtney Summers), then check out this audio mystery. Cleo Ray is a glamorous influencer who’s invented a magnetic persona and created a life for herself in Los Angeles. Then one summer day, Cleo takes a canoe ride with a woman named Beck Alden. An hour later, Beck is found dead in the water and Cleo is nowhere to be found. Who was Beck? Was her murder an accident? And if Cleo is responsible for the woman’s death, why would she risk everything she’s built for herself to murder this person?

how to kill your best friend

How to Kill Your Best Friend by Lexie Elliott

Georgie, Lissa, and Bronwyn have been best friends since they met on the college swim team. But now, somehow Lissa, the strongest swimmer they know, has drowned. Could it possibly be an accident? Or is one of them secretly a murderer? As funeral guests gather at the fabulous island resort Lissa owned with her husband, nobody knows who to trust. And Lissa’s death was only the beginning.

The Murder Rule by Dervla McTiernan cover

The Murder Rule by Dervla McTiernan

We’re rounding out this list with the Dervla McTiernan’s latest, which is inspired by a true story. When Hannah Rokeby joins the Innocence Project at the University of Virginia, it seems like she’s there to help. But she has her sights set on one specific case: Michael Dandridge, who has served11 years in prison for the rape and murder of a young mother. Dandridge claims a confession was forced out of him, but Hannah will stop at nothing to stop his conviction from being overturned.

Twenty audiobooks not enough to get you through? We’ve got tons of other audiobook recommendations for you. For more mysteries, try these 8 audiobooks for Agatha Christie lovers. If full-cast audiobooks are your thing, then you’ll want to listen to these 10 new full-cast audiobooks. And if you want to just know more about why mysteries just make such good audiobooks, then read about why you should start with mysteries if you’re new to audiobooks.

]]>
Inside the Narrators Booth: Things You Never Knew About Audiobook Narrators https://bookriot.com/things-you-never-knew-about-audiobook-narrators/ Fri, 23 Sep 2022 10:31:00 +0000 https://bookriot.com/?p=516789

Audiobooks are a phenomenal way to experience stories, as they are brought to life with transportive narration, colorful character voices, and moving emotion. The best audiobooks put listeners right into the story, and the narrator often fades into the background. But sometimes when I’m listening to an audiobook, I can’t help but wonder: What was it like for the narrator reading this book? What happened inside the recording booth? Were they moved by the story too? I’ve wondered about the lives of audiobook narrators for years. So when I had the chance to interview six prolific audiobook narrators about their experiences, I jumped at the opportunity to look behind the scenes.

I first got a glimpse into the audiobook recording process earlier this year as an author. My book Queerly Beloved was released in May, and in March, I was involved in the audiobook narrator selection and preparation process. I exchanged emails with my narrator, Kimberly M. Wetherell, about name pronunciations, characters’ accents, and background. Those emails spun into an online friendship, and when I visited New York City a few months later, Kimberly and I met up for a drink and to chat books. I couldn’t help but pick her brain about how she got into audiobook narrating and what she loves about the job. I was completely fascinated by everything from her in-home recording booth to how she researched new dialects to what clothes made the least noise.

I immediately wondered if I could bring together some of these insider perspectives for an article. Kimberly enthusiastically agreed, and even helped me connect with five additional audiobook narrators to learn more. Collectively, the six narrators I interviewed have over 30 years of experience and have narrated well over 1000 audiobooks. They shared a wealth of information with me about life in the recording booth. Please join me for this tour through some of the most interesting and surprising aspects of being an audiobook narrator.

Audiobook Narrators Are Multi-Talented

Of the six audiobook narrators I interviewed, five mentioned a background in acting on the stage and/or screen. Many of them cited their acting experience as great training for their audiobook narration careers. But acting wasn’t the only creative talent they found useful.

“I have always been a voracious reader and, as an actor, of course I want to play all the parts,” said Hope Newhouse, who worked on stage in France for a decade before transitioning to narration. “It was a match made in heaven! My acting training has been such an asset for creating a variety of characters, as well as preparing accents. I also definitely credit acting and singing classes with the voice support and control necessary to read aloud for hours a day without losing my voice!”

Ron Butler had just finished the series True Jackson VP on Nickelodeon when he was cast in his first audiobook project.

“Being an experienced actor really helped with my transition into narrating, understanding story, and how to develop and sustain character performance. I’m also a singer/musician, and I think every author has their own rhythm and musicality, and that’s often how I ‘plug into’ a book,” said Butler.

Kimberly Wetherell’s narration skills come from a lifetime in the entertainment industry. “First as a classically trained actor,” she said. “Then an opera producer and director — which required knowledge of multiple languages and honed my ear for the musicality of dialects, and has proven to be wildly good training for narration — and then as a filmmaker, which shaped my cinematic storytelling abilities, also ever so important when narrating an entire book.”

…And Sometimes They Have to Wear a Lot of Hats

If you think audiobook narrators walk into a booth, read a book out loud, and call it a day, you’re massively underestimating all the work that goes into their job.

Kimberly Wetherell pointed out that, in addition to all the characters they play, narrators also perform a lot of jobs. “You’re running a small business, auditioning, hustling, bookkeeping, calendarizing, reading, making notes, developing characters, studying dialects, looking up words you don’t know or know how to say properly, narrating (and self-directing) in a tiny, hot, padded box (or closet) for hours and hours each day, every day, and then, if you’re not sending off your raw audio to engineers for post-production, you’re also doing the audio editing and mastering before uploading it for publication,” she said.

“A lot of narrators start out (or continue) to do all aspects of post-production: proofing, editing, mastering,” said Cindy Kay, who has narrated audiobooks by bestselling authors like Chloe Gong and Ryka Aoki. “I’m a pretty good proofer but editing…ugh. I’m so, so grateful for editors and engineers. I bow down to their talents.”

Some of Them Even Use Multiple Names!

If you think the voice of a new-to-you narrator sounds familiar, you might have stumbled upon a secret identity.

“I created a pseudonym for romance because my brand is most associated with literary fiction, nonfiction, and middle grade/YA,” said Ron Butler. “I use a specific register and timbre of my voice for romance that I want associated with my pseudonym’s brand and that I feel really targets the romance market.” Butler shared that the voice of his pseudonym Evan Parker is growly and big-hearted.

“I’m pretty open about my pseudonym, Vivian Bradford, and she exists mostly to distinguish which books aren’t ‘mom-safe.’ Not that my mom listens to audiobooks, but you never know when she might start,” said Kimberly Wetherell. “Also, because I would love to narrate more middle grade and YA books, and I’d hate for a kid to pick up a dark romance loosely inspired by The Wizard of Oz, but learn the shocking way that we are definitely not in Kansas anymore.”

While Butler and Wetherell are open about their secret identities, not all audiobook narrators are. They use pseudonyms for a wide variety of reasons, and listeners should respect those boundaries. The narrators I interviewed said that listener speculation about pseudonyms on public forums is decidedly not cool.

They REALLY Love Books

Many listeners think of audiobook narration as a dream job, and a lot of the folks living that dream are equally thrilled by all the books they get to read for work.

“I love that my job is getting to read good stories,” said Hope Newhouse. “I am coming back from vacation right now and I can’t wait to get back to work. I don’t know a lot of people who feel that way at the end of their vacation. I especially enjoy creating characters. I have so much fun with well-written dialogue, whether witty or emotional. But I am also a total literature nerd, so a poetic description or getting a chance to narrate something classic is also a huge joy for me.”

Ron Butler also talked about the joy of getting wrapped up in a good book. “Sometimes I’ll get to near the end of a book, and I’m so moved by it that I struggle to finish because I’m weeping so hard,” Butler said. “King and the Dragonflies and Ghost of the Innocent Man are good examples. Being involved in such a beautiful thing, is a beautiful thing.”

…But Audiobooks Take a Lot More Work Than Just Loving Books

A passion for books is helpful, but audiobook narration is not for the faint of heart.

“It is very hard work! We really do lock ourselves in a tiny box and talk to ourselves for hours and hours a day. Altogether, it takes about six hours of work to create an hour of audio, so a lot of work goes into a full-length book,” said Hope Newhouse.

Newhouse also pointed out how the payment process differs from other voiceover work. “Unlike other types of voiceover where you are paid based on how widely distributed the ad/video/etc. will be, narrators are often just paid a fixed rate per finished hour, so the success of an audiobook doesn’t usually mean more money for us. Because of how many hours of work you have to perform to make a living compared to other voice work, this job is full of people who are passionate about this particular career. It’s a very self-selecting, book-loving group.”

Kimberly Wetherell discussed how much work goes into successful narration. “You’re not just reading words when you’re narrating, you’re telling a complete story with a beginning, middle, and end,” she said. “You’ve got to be able to see the whole picture in your head at all times to know how each scene is part of the whole, and also know how to tell the story without the aid of visuals and still keep a listener engaged. It’s a lot trickier than many folks might think.
”

“Sometimes there’s language that’s tough to wrap your mouth around,” said Ron Butler on the challenging aspects of the job. “There are times when dialogue or concepts were not written with audio in mind. Things that read well on the page don’t always sound natural when spoken. Making stuff like this ‘work,’ or sound more natural, is one of the toughest parts of the job. Then there’s trying to sound like ten different people sitting around a dinner table talking…”

They Care About Getting the Details Right

The narrators I interviewed made it clear that they care deeply about giving every book they narrate appropriate time and attention, and that often involves a lot of research.

“Personally, I like to know absolutely everything I can about the characters, their backstories, the locations, quirky little Easter eggs, inside jokes, et cetera,” said Kimberly Wetherell. “So much of performing a book well and capturing the author’s voice and intent is buried in the subtext, the tone, the environment — things that aren’t written. So as much as I can know in advance, the truer to the book I can be.”

“I really like understanding the geography in a story,” Ron Butler shared. “I’ll look up locations on a map, read the background on topography, culture, and customs. If it’s an imaginary world, and the author hasn’t provided a map, then I’ll draw one for myself. I love maps — every book should come with one!”

…And Spend a Lot of Time Working on Accents and Dialects

A lot of research and preparation for audiobook narration involves accents, dialects, and words and names that are difficult to pronounce.

“Because I am bilingual and enjoy language/accent work, I often get books that require me to learn new accents or pronounce words in other languages,” said Hope Newhouse. “That can be very challenging, especially when the turnaround is fast, but it’s also a lot of fun.”

Shiromi Arserio, who has narrated audiobooks by authors including Roshani Chokshi and Tasha Suri, considers herself an accent chameleon. “I listen to accents and mimic a LOT, which is why my own accent is so confusing and difficult to place.” She also shared some of her tactics for learning new accents. “For foreign accents, I like to listen to the ambassador for that country because they’ll probably have studied in England or the United States and have a definable accent that will still be easy for listeners to understand. It keeps me from going too far with an accent.”

Ron Butler also shared a little about his process for accents.

“If there’s an accent I’ve never done before — the most recent was Scottish — then I do a deep dive to prepare. I research on YouTube, movies, coaching from a native speaker, et cetera,” he said.

Narrators mentioned words that have tripped them up recently, from seemingly easy words like “gasped” to extremely complicated words, like the village Llanfairpwllgwyngyllgogerychwyrndrobwllllantysiliogogogoch in Wales. Another narrator had to seek help from colleagues on how best to pronounce a text message of “Sdighqkdjhqmisutheiwxetzjs.”

It Can Be a Lonely Job

This one may not come as much of a surprise: sitting in a recording booth can be a bit lonely.

“You’re doing the lion’s share of the work by yourself, with very little guidance from anyone else,” Kimberly Wetherell said. “You have to be a very independent and motivated person to do this job. Having been a wandering freelancer for my entire career made that aspect of the job much easier for me. I’ve always worked alone. But it’s a big shift from someone who may have come from a more traditional nine-to-five background with a support staff, and for some, that might be the hardest adjustment to make.”

…But They Also Have a Great Community

Although doing the work can feel lonely, the strength of the audiobook narrator community came up again and again in interviews.

“Narrators are the best colleagues!” Hope Newhouse said. “We do work alone a lot of the time, but it means when we get together, we are very excited to see each other and we are active in virtual forums where we share useful information and help each other out with things like pronunciations or performance questions.”

“Spending so much of our time alone makes the narration community really tight,” Kimberly Wetherell shared. “We create all kinds of opportunities to connect. Technology is a godsend in that department, since we’re all over the world, not just in larger entertainment hubs like NYC, L.A., or Chicago. What the world learned how to do during the early months and years of the pandemic lockdown, narrators had been doing for years, considering most of us already worked from home and had been voluntarily self-isolating!”

They Can Do It All

One of the most exciting parts of audiobook narration, especially for narrators from an acting background, is getting to play every role in the story. And that can be incredibly challenging, especially in books with dozens — or even upwards of a hundred — different characters.

“Honestly, I just love getting to play ALL the roles,” said Shiromi Arserio. “I’m greedy like that. I love getting to play characters that nobody would ever normally think to cast me as!”

Ron Butler agreed. “I love a book where I get to play a ton of different characters. Being able to act all those different parts is really challenging and fulfilling.”

…And They Can Work as a Team

While audiobook narrators are accustomed to recording an entire book by themselves, they also often get to work with another narrator for dual narrations, or three or more narrators for multicast narrations. While this can change the amount of recording, the narrators still have to read and research the entire book, as well as working together on pronunciations, voices, and more.

“I love love love multicasts, mainly because I’m such a fan of other narrators that I can’t believe I get to work on the same projects as them,” said Cindy Kay. “So I get giddy. But they also mean the same amount of prep but you’re only paid for the parts you record, so it means a bit more work than a single-narrator project.”

Hope Newhouse said she enjoys multicast audiobooks as a listener. “But I think as a narrator I have more mixed feelings,” she said. “We don’t always record on the same schedule as our co-narrators, so sometimes they have already made choices and we have to match even if we would have done it differently or sometimes we just have to make the choices and hope the other person/people will be able to work with them because we have the time in our schedule when the other narrator hasn’t had time to prep yet.”

They Nerd Out About Exciting Projects

Many of the narrators I interviewed talked about thrilling moments in their careers where they got to work on books by authors they love or narrate books that they connected with personally.

Shiromi Arserio counted among her happiest moments as a narrator, “Getting to narrate Alien: Into Charybdis and getting cast to narrate Noah Hawley’s book, Anthem — both of these were huge fangirl moments. Also, getting nominated for Audies for The Jasmine Throne and Beatrix Greene. I was completely blindsided.”

“One of my happiest moments was after my first big networking event,” Hope Newhouse shared. “I had been narrating a lot of straight romance, which can be super fun, but at the event I went around telling all the publishers I met that my dream book would be a young adult story with queer characters, and a week later Harper Audio sent me Summer and July by Paul Mosier, the sweetest YA/MG novel involving a first lesbian crush, and it just made my year. Now I get a lot of those kinds of books, but that was the first one and it made me so happy!”

…And Sometimes They Get to Directly Ask the Authors Their Questions

I was lucky as an author to get to speak directly with my audiobook narrator. That isn’t always the case — especially when working through big audio publishers who prefer to act as middlemen between the narrator and author. But narrators usually have some avenue to ask the authors their questions before recording.

“When working with audio publishers, the producer and director communicate directly with the author and relay any notes to me. It’s rare that I have a direct line to the author in those cases,” said Michael Crouch, whose audiobook narrations have earned him Audie Awards, Earphones Awards, and AudioFile Magazine’s Golden Voice Lifetime Achievement Honor. “On the other end of the spectrum, independent authors sometimes reach out to me directly with requests to narrate their audiobooks. In these cases we email back and forth, talk on the phone after I’ve read the book, then I’ll record a 10-15 minute narration sample for them to listen to. After that I jump in the booth and hit the ground running.”

Hope Newhouse talked about extra content authors sometimes provide to inspire narration. “When authors publish fan art or cover ideas or quotes or any content related to the book, that can help me artistically,” she said. “Sometimes an author will provide character or performance info that the publisher will send me and sometimes I will ask the publisher for the author’s input, usually on character background or name pronunciation. For example, when I narrated Among the Beasts and Briars by Ashley Poston last year, we were not directly in touch, but I made a list of the place and characters names in her fantasy world and she recorded them all for me!”

They Often Record From Home

The majority of audiobook narrators work from home, where they are generally expected to have a professional recording booth, or if not, a soundproofed closet. Although outside recording studios exist, they’re generally reserved for celebrities or authors narrating their own books.

“Many audiobook narrators — and many voice actors now after the pandemic — record from professional home studios,” Hope Newhouse said. “I had to learn a lot about recording equipment and sound proofing and sound engineering in order to get set up.”

Kimberly Wetherell pointed out the cost of home recording booths. “I can’t lie, I love the commute alllllllll the way over to the other side of my apartment and the ability to have my dog curled up at my feet as I record, but the expense of having what’s known as a ‘broadcast quality’ home studio is no joke,” she said. “It can cost in the upper four to lower five figures, depending on how geeky you are about your equipment and what sort of acoustic treatment you need depending on where you live.”

And unlike other areas of the entertainment world, narrators don’t get paid or reimbursed for the money they shell out for booths and recording equipment. Whereas sound and lighting professionals, makeup artists, and others are paid a rental or “kit” fee for use of their supplies and equipment, audiobook narrators don’t receive additional payment for the technology in their homes that’s required to produce professional-quality recordings.

…And They Really Hate Outside Noise

One of the trickiest parts of audiobook narration, whether you’re recording at home or elsewhere, is controlling unwanted noises inside or outside the booth. And I quickly learned that narrators develop superhuman hearing.

“It’s just really funny how obsessed you can get with a quiet space,” said Shiromi Arserio. “It’s hard to switch off. I will get annoyed when I hear landscapers or street noise around my house on days I’m not recording. My ear has become so attuned to even the slightest noise.”

“I never thought I’d be so obsessed with quiet,” Cindy Kay agreed. “I can hear sprinkler motors running through two walls, family members beating eggs upstairs, you name it. I recently got pissed off wondering what a noise was — it was my hoodie string hitting the back of my chair.”

In fact, I learned that our bodies make all kinds of noises that can cause trouble on recordings. “I had no idea how much I burp until I started recording audiobooks. It’s common for me to stop recording and literally pat my stomach and burp myself,” said Michael Crouch.

Hope Newhouse had another bodily fun fact to share. “Did you know sometimes your eyelids make a little click when you blink if you are dehydrated? I didn’t before this job.”

It Gets Toasty in the Booth

Almost all of the narrators I interviewed talked about just how warm it gets in a recording booth. Hope Newhouse said it best: “A small enclosed space plus body heat gets hot even in the winter, but it’s hell in the summer!”

It’s a hard problem to address. Any tools for air circulation in the booth, like air conditioning or fans, create a mechanical sound on the recording. And any technology that might be used to mask those sounds runs the risk of altering the sound of the narrator’s voice. Avoiding heat stroke is a constant concern.

…And They Dress (Or Undress) Accordingly

Without the use of air conditioning or fans, narrators rely on ice packs and clothing choices to keep them cool.

“You might be surprised at how little clothing narrators wear when recording in the summer,” Shiromi Arserio shared. “Ice bras, narrating in bikinis, cooling cloths, these are all very common for narrators because it gets so hot in the booth. I’ve never gone so far as to record naked, but I have it on good authority some narrators do.”

Hope Newhouse agreed. “Readers might be surprised how many books I have recorded in very little clothing, a wet bathing suit, or standing on ice packs. You also have to choose your clothing based on how much noise it makes. I had no idea I had so many swishy shirts or pants until I started recording audiobooks.”

They Love What They Do

Despite all of its challenges, audiobook narrators find a lot to love about their jobs.

Cindy Kay has a lot of favorite aspects of her work. “The books! The authors! The community! The number of times I finish the day book stoned from the gorgeous scenes, characters, stories, swoon. And meeting people who are so talented and supportive of each other — the community is so refreshing. I can’t believe I get to do this,” she said.

Michael Crouch pointed out the thrill of getting into the narration groove. “With audiobooks there’s so much material there’s no way you could possibly rehearse it all,” he said. “I found that scary at first, but eventually I found it liberating, because it forces you to work from your gut. You have no choice but to get out of your head and into your body. When you find a good flow, there’s nothing like it.”

…And They Might Have Tails

We know they’ve got lots of tales to share, but do they also have literal tails?

“I think the fact that we all have vestigial tails might be a bit of a surprise,” said Kimberly Wetherell. “It’s a prerequisite for the job, in order to stay properly balanced and aligned in our booth chairs all day.”

She’s probably joking. Or is she?

Where to Find the Narrators

I want to give a huge thank you to all the incredibly gracious narrators who offered up their perspectives for this piece. If you’re interested in checking out work by the audiobook narrators I interviewed, you can find some of their recent and upcoming projects below.

Shiromi Arserio
The Girl of Ink and Stars by Kiran Millwood Hargrave
The Oleander Sword by Tashi Suri
The Villa by Rachel Hawkins (co-narrated, Jan. 3, St. Martin’s Press)

Ron Butler
It Came from the Closet: Queer Reflections on Horror edited by Joe Vallese (co-narrated, Oct. 11, The Feminist Press at CUNY)
Dirty Steal by Lauren Blakely and KD Casey (co-narrated under pseudonym, Oct. 19, Nothing to Lose Productions)
Rachel (forthcoming multicast play, Brilliance Audio)

Michael Crouch
Groundskeeping by Lee Cole
Last Summer Boys by Bill Rivers
In the Key of Dale by Benjamin Lefebvre (Nov. 1, Arsenal Pulp Press)

Cindy Kay
The Many Daughters of Afong Moy by Jamie Ford
Direwood by Catherine Yu
Into the Riverlands by Nghi Vo (Oct. 25, Tordotcom)

Hope Newhouse
Every Bird a Prince by Jenn Reese
Queer Ducks (and Other Animals): The Natural World of Animal Sexuality by Eliot Schrefer
The Deception by Kim Taylor Blakemore (Sept. 27, Lake Union Publishing)

Kimberly M. Wetherell
How Not to Drown in a Glass of Water by Angie Cruz (co-narrated)
I Survived the Wellington Avalanche, 1910 by Lauren Tarshis
My Second Impression of You by Michelle I. Mason


]]>